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<\/figure><\/div>\n\n\nAnother night at the Oscars has come and gone, this time without possible criminal liability. Or memorable moments. Or even good movies. In fact, the decision to replace the red carpet with a beige one is an apt metaphor for the whole ho-hum event. As The Cut<\/a> noted:<\/p>\n\n\n\n Meanwhile, many of the actual people on the carpet were rendered nearly invisible by its shade. The night\u2019s guests, who didn\u2019t find out about the color change until the carpet was unfurled last week, showed up in outfits that matched the floor, turning the carpet into a big, bizarre sea of camouflage.<\/p>\n<\/blockquote>\n\n\n\n Camouflage may have been the point this year. Academy bigwigs didn\u2019t want to mention, let alone repeat, 2022\u2019s Slap Heard Round the World. Host Jimmy Kimmel did not cooperate with this wish, quipping in response to the beige carpet that it showed \u201chow confident we are that no blood will be shed.\u201d In fact, Kimmel\u2019s repeated references to The Slap throughout the awards ceremony provided about the only edgy (and funny) material all evening.<\/p>\n\n\n\n But star-on-star assaults are nothing compared to the wish to camouflage the overriding threat facing Hollywood: its imminent demise. The Oscars are always self-aggrandizing, but this year the hyped-up glitz felt desperate. So desperate that the Academy saw fit to run a commercial for this summer\u2019s release of \u201cThe Little Mermaid\u201d as part of the ceremony.<\/em> Anything to get people back into theaters, I guess. But \u201cTop Gun: Maverick\u201d for Best Picture? Seriously? And I say this as someone who very much enjoyed the movie.<\/p>\n\n\n\n Which is more than I can say about a lot of the others. Usually I try to see all the top nominees, but after seeing plenty of them\u2014in theaters and streaming\u2014I didn\u2019t see the point.<\/p>\n\n\n\n And yes, this means you, Everything Everywhere All at Once. <\/em>I second the Guardian review<\/a>, which referred to it as Nothing Nowhere Over a Long Period of Time<\/em>. However, I concede that the exuberant cast and crew who kept traipsing up to collect their statues seemed like really nice and fun people. I also admire Michelle Yeoh for using her moment in the spotlight to run a piece in the New York Times<\/a> the very next day to shine a light on the deplorable suffering of women and girls in humanitarian disasters.<\/p>\n\n\n\n It\u2019s a far cry from suffering through another season of a so-so awards ceremony and films. Still, with Hollywood run aground on the pandemic and streaming shoals, and trying to break free through CGI, special effects, and lots of noise, I see little on offer to lure me back into theaters. Which is a shame, since I used to love going to the movies.<\/p>\n\n\n\n At least it\u2019s a great achievement that this year possibly retired #OscarsSoWhite and #OscarsSoViolent. Now let\u2019s hope for the retirement of #OscarsSo\u201dMeh.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":" Another night at the Oscars has come and gone, this time without possible criminal liability. Or memorable moments. Or even good movies. In fact, the decision to replace the red carpet with a beige one is an apt metaphor for … Continue reading \n